《交换人生》6.

几千年(🆚)前(qián )的一场神秘(🔬)事件，让楼兰古国(🐧)一(yī )夜覆灭(miè )，只(💴)留下了(le )一(yī )块神(📄)奇且神秘的宝(bǎ(🌺)o )物—(♏)—奉天双(shuā(💡)ng )鱼镜(🃏)，几千后，一(yī(🔜) )场(chǎ(🥀)ng )双鱼(yú )镜的争夺(🚝)之战(zhàn )拉开的序(🌪)幕.....

一(yī )场大规(guī(👞) )模枪击案后(hòu )，七(🏠)位(wèi )民兵藏匿于(🐴)一(yī )个木材仓库(💳)中(zhō(🔏)ng )，与(yǔ )此同时(🏖)，一行(😲)(háng )人有了(le )一(🚲)个不(🏉)安的发(fā )现：他(💶)们的军械库(kù )丢(🤯)失了一支AR-15步(bù )枪(🔺)，而(ér )这把武器的(🎒)(de )型(xíng )号正与传闻(🕠)中枪击(jī )案肇事(🎇)者所用(yòng )完全一(🌪)(yī )致(💏)。担心当(dāng )局(🎋)(jú )已(🏉)将他们与枪(🐈)击案(👂)(àn )联系在一起，为(🈚)了自(zì )身的安全(🤫)，民(mín )兵们(men )决定找(🙋)出队伍(wǔ )中的叛(🎞)变者交(jiāo )给警方(🍒)(fāng )。

不管这导(dǎo )演(😏)嗑了(😩)(le )什么很纯的(🚾)，全部(🎤)都要给你(nǐ(🍱) )来一(🎎)(yī )点！在澳洲这(zhè(🍨) )座曾经(jīng )被称作(🚡)「无主(zhǔ )之地」(📔)（Terra Nullius）的大陆(lù )，历(🔥)史以前所(suǒ )未见(💝)的(de )观点重新诠(quá(🍜)n )释(shì )：当《疯狂麦(🛶)斯》末(🕷)日场景成为(💐)(wéi )难(🚘)民拘(jū )留地(🗝)，食人(🗼)(rén )羊(yáng )成为反殖(🌱)民叛乱份(fèn )子，《沙(🗂)漠妖(yāo )姬》与(yǔ )电(🧠)视剧《请(qǐng )喜欢我(🔉)(wǒ )》有了跨时空(kō(🕰)ng )的酷儿对话……(💤)本片(🏸)以近似DJ取样(📫)(yàng )混(🔇)音之(zhī )拼贴(🔩)手法(🦋)，打(dǎ )开了虚构与(⛹)史实间(jiān )的神秘(🐳)黑洞，大量援(yuán )引(🏜)电影名场景(jǐng )与(❗)历史典故，穿越(yuè(📌) )时空与各种语(yǔ(✅) )境，重(chóng )写、改写(📆)、乱(👠)(luàn )写，全面毁(🗂)坏观(📐)众(zhòng )的三观(👻)！这是(🚮)(shì )一部政(zhèng )治复(🕌)仇预言(yán )，杂揉讽(🎧)刺喜剧、生(shēng )态(🚹)恐怖与公路(lù )电(🌁)影类(lèi )型，写下澳(🤟)(ào )洲国族(zú )神话(🔹)从未(🍦)被纪(jì )录的(🤸)史诗(🐓)篇章(zhāng )。

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.

一场(🔟)大规(💣)模枪击(jī )案后，七(➰)位民兵藏匿(nì )于(🏃)一个木材仓库中(🔕)(zhōng )，与此同时，一行(👗)人(rén )有了一个不(📸)安(ān )的发现：他(🧀)们的军(jun1 )械库丢失(⛪)了一(🎊)(yī )支AR-15步枪(qiā(🏅)ng )，而这(😏)把武(wǔ )器(qì(🏫) )的型(🔍)号正与传闻中(zhō(🚛)ng )枪击案肇事者(zhě(🚔) )所用完(wán )全一致(💬)。担(dān )心(xīn )当局已(🚥)将他们与枪(qiāng )击(🐾)案联系在一(yī )起(👩)，为(wé(💲)i )了自身的安(✊)(ān )全(🉑)，民(mín )兵们决(🐧)定找(🚚)出(chū )队伍中的叛(🕔)变(biàn )者交给警方(😄)。

Paul is an average guy. He likes movies, and pizza, and average guy things. He does not like - musicals. But Paul's small world is about to come crashing down under the weight of unspeakable terror. Now he must run, run for his life, as something sinister spreads, and grows, and sings, and dances. The town of Hatchetfield is plunged into a musical hell in - 'The Guy Who Didn't Like Musicals!'

本故(gù )事讲述(shù(🍦) )的是上世纪90年(niá(🎂)n )代末发生在陕西(🐛)关(guān )中农村的童(🕰)年(nián )故事。在以成(💨)绩高(🍳)低(dī )作为评(💑)判学(✨)生好坏(huài )的(🔋)环境(💸)中，小(xiǎo )学生巴(bā(🏻) )王超过在老(lǎo )师(♋)(shī )与家长的眼中(🛌)是那(nà )种不学无(📆)术的(de )“渣滓(zǐ )”。得不(🏙)到(dào )家(jiā )长和老(🎍)师认同的巴(bā )王(👋)超过(🌈)，将田(tián )野里(📴)一(yī(🌑) )棵可以栖息(xī )的(😉)大树(shù )变成了自(🌛)己的(de )“好地方”，并将(📅)所有“好玩”的东西(👗)(xī )都藏在了那棵(🛐)(kē )大树的上面。孩(🚟)子(zǐ )的天性，让巴(❤)(bā )王(💐)超过(guò )与成(👢)人世(🎸)界充(chōng )满了(🍘)斗争(🐒)，直到有(yǒu )一天，他(㊗)的处(chù )境因为(wé(🈺)i )前来支教的(de )粉(fě(😡)n )提老师而改变了(🥍)！粉提老师让他(tā(👉) )负责班(bān )级里的(㊙)图书(shū )管(guǎn )理员(😰)，同时(👲)他也与(yǔ )女(🥧)老师(📗)成了好(hǎo )朋友，他(🌬)的“好地(dì )方”也(yě(🌁) )成了女老师的(de )“好(🔴)地方”。然而好景不(🍵)长，他(tā )在粉提(tí(💅) )老师面前特殊(shū(🍼) )的待遇，又因为粉(📭)(fěn )提(🌲)老师的男朋(🥥)(péng )友(🦏)的到(dào )来而(🗞)改变(🚠)了……

20世纪福克(😃)斯最近(jìn )买下了(🛸)Alma Katsu下部小(xiǎo )说《饥(jī(🐸) )饿》（The Hunger）的(de )电(diàn )影(🗻)版权，这部小说(shuō(🚍) )以《行尸走肉(ròu )》的(🌅)风(fēng )格叙述了北(🙄)(běi )美(💭)(měi )历史上最(❣)恐怖(😶)的一(yī )段“食人”历(🥡)(lì )史。

阿(ā )呆和阿(💨)瓜是(shì )一对非(fē(🏜)i )常要好的朋友(yǒ(🔄)u )，他们觉得凭(píng )借(🎙)自己的力量可以(🐄)(yǐ )修理一(yī )切，有(🚎)麻烦(🎟)发(fā )生时，只(🌭)要开(⛅)动脑(nǎo )筋，利(😳)用手(🤽)边(biān )的工具(jù )都(🛀)可以搞定。人们总(🔣)会被他们的(de )“错误(📄)”行为(wéi )逗笑，觉得(🚾)他们有(yǒu )点(diǎn )笨(⛅)，大部分时间会(huì(🧔) )把事情搞的更(gè(🌿)ng )糟，但(🔩)(dàn )是呆瓜兄(💖)弟(dì(➕) )总(zǒng )能自己做的(😴)事情中(zhōng )找到“自(😟)己的(de )路”，并对自己(🛰)努(nǔ )力之后(hòu )的(💝)结果感到满(mǎn )意(🔧)。因为他们(men )坚信一(🤾)句话“伟大(dà )的创(✳)造(zà(💠)o )在最开始的(🔳)时(shí(🏯) )候也不是完(🎫)美的(📫)，关键的是开始(shǐ(🍖) )的勇气(qì )”。

Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.