妻(🙅)子(🚝)失(shī(🚢) )踪(😺)(zōng ),丈夫(孙正宇)寻(xún )找(zhǎo )妻子(⏸)多(🚥)年,却(💎)意(🏞)外(wài )的(de )卷入了一宗刑事案件(😖)(jiàn ),孙(🔇)在(🐾)寻找妻子的过(guò )程(chéng )里发现了一个(👙)贩卖(🥇)(mà(🍪)i )人(rén )体(tǐ )器官的(日本)组(zǔ )织(zhī(🎦) )并深(😾)入(👰)调查,自己却(què )身陷重围,最后协助(🔝)(zhù(💶) )追(zhuī(🦇) )捕(🍳)自己的警官刘武(wǔ )火(huǒ )击(jī )败犯(♐)罪(🍔)分子(😒)并(👀)救一(yī )个(gè )面临死亡的小女孩儿(📮)(é(😈)r )……(🔲)
一(🆗)位亿万富翁探(tàn )险家将一艘单人(🔔)潜(❗)水(shuǐ(🦆) )艇(🐿)(tǐng )带到海洋深处的“午(wǔ )夜(yè(🈂) )”地带(💷),寻(🧦)找难以(yǐ )捉(zhuō )摸的巨型鱿鱼,但发(fā(🏬) )现了(🥪)一(🚺)个更小更致命(mìng )的(de )掠食者。
十七岁的(🗞)(de )坎(kǎ(🐮)n )蒂(🧢)(dì )丝经常做梦,她在(zài )发(fā )病时做(👙)的(🎫)梦往(⏹)往(🙁)是最(zuì )清晰真实的。在一次(cì )梦(mè(🐓)ng )中(🦇),她遇(🍒)见(🤜)一位正(zhèng )在(zài )梦游的英俊男孩。这(🐸)(zhè(🍂) )个(gè(🛰) )梦(🌎)一直萦绕在她脑海(hǎi )中,尤其是因(👁)为(🛩)她希(🌱)(xī(🌓) )望逃离现实,活在美(měi )好(hǎo )的(🎙)梦中(🍸)。她(🍂)一边想(xiǎng )着(zhe )离(lí )开这个无聊阴沉的(♉)(de )海(hǎ(🤦)i )边(😝)小镇,另一边还在(zài )震惊于当地一个(🏠)男孩(🆑)(há(🐶)i )的(de )失踪事件。“在北(běi )爱(ài )尔(ěr )兰问题(👇)时期(🌺),这(🛤)里(lǐ )还(hái )更安全一点。” 坎蒂(dì )丝的(🤑)警(🙎)察父(👇)亲(👀)说道,因(yīn )为当地的恶棍团伙(huǒ )不(⤵)(bú(⬆) )断惹(🍵)出(🐫)暴力事件,导(dǎo )致(zhì )当地越来越危(😳)险(👿)。坎(kǎ(👄)n )蒂(⚓)丝在现实中遇到了(le )一个长得(🐍)很像(🕐)梦(🍵)游男(ná(⏹)n )孩(hái )的人,感觉世界从(cóng )此(cǐ(🧥) )被(bè(🚵)i )点(🎨)亮。坎蒂丝虽然(rán )迷(mí )恋这个惴惴不(🖤)安的(🤡)陌(🗣)(mò )生男孩,但后来得知(zhī ),他居然是父(🍁)亲决(📆)心(👇)(xīn )要(yào )除(chú )掉的其中一名恶棍(gù(㊙)n )。
某(🌖)外国(🔊)城(🐌)市,来自韩(hán )国的女演员英熙,正(zhè(🚢)ng )因(🕤)(yīn )为(🔃)和(😆)国内一个已婚(hūn )男(nán )子的恋情而(🌅)备(📿)受压(🚹)(yā(🌏) )力(lì ),她放弃了一切,甘受(shòu )千夫所(🤙)指(🍂)以此表(🗑)明心(xīn )迹。他说会去找他,但(dà(🤔)n )她并(👍)不(👨)相信。在熟(shú )识(shí )的(de )朋友家吃过饭,她(🍝)(tā )去(🛸)(qù(🤼) )了海边。她认为朋友(yǒu )不会理解这段(🤺)感情(🍊),但(🏥)(dàn )还是问道:“他会(huì )像(xiàng )我(wǒ )思(🔡)念(🥍)他一(🕦)样(💷)思念我(wǒ )吗(ma )”
Stephen Sondheim’s legendary musical is staged for the first time at the National Theatre and broadcast live to cinemas.
2014年克里米亚危机(jī(🚃) )中(💢)一个(🙌)关(😻)于爱、信仰(yǎng )与(yǔ )忠诚的故事
Set in contemporary New York City, Cacaya is the story of a young Brazilian woman, who ends her tumultuous relationship with an American man, and then discovers she is carrying his child. The couple's struggle to interact during the pregnancy, and to deal with the situation, increases the tension between them. The film interweaves this modern narrative with indigenous Amazon rainforest folklore and ancient Greek mythology of the Amazons, using the framework of German dramatist Heinrich von Kleist's 1808 tragedy Penthesilea.
A group of five women go camping in the woods to celebrate a friend's birthday over 4/20 weekend. But when they cross the turf of an illegal marijuana grow operation they must struggle to survive the living nightmare.