故(🥈)事发生(🚓)在(zài )墨(🚆)西哥城(👣)的(de )一个中产阶(jiē )级社区“罗(luó )马”,讲述(shù )年轻女佣克(kè )里奥(雅利扎·阿巴(👕)里西奥(🤨)(ào )饰)(🍋)在雇主(zhǔ )索菲亚(玛(mǎ(🧡) )丽娜·(⛑)德·塔(🚁)维(wéi )拉(🤞)饰)家(🎡)中(zhōng )工(🍒)作,该家(🌿)(jiā )中索(🔙)菲亚的(🅱)(de )丈夫长期在(zài )外,由女佣(yòng )克里(🗽)奥照顾(🍖)(gù )索菲(🧣)的四个(📅)(gè )孩子(🍴)(zǐ )。突如(🔋)其来(lá(📺)i )的两个(🌤)意外(wà(🦍)i ),同时砸(📝)中(zhōng )了(🍃)女佣克(🏺)里(lǐ )奥(🕙)和雇主(🚃)索菲亚(yà ),两人究竟(jìng )该如何面对(duì )苦涩茫然的(de )生活?四位(wèi )孩子似乎是(🕳)(shì )希望(😰)所在。 这(🔚)是以导演阿方(fāng )索·卡(🙀)隆的(de )儿(🍥)时记忆(🎛)铸(zhù )成(🥀)的影片(🏀),而卡隆(💽)其实(shí(🎇) )就是(shì(♋) )片中某(😇)一位(wèi )小孩。
《大(dà )漠巾帼情》由国(🤽)家林业(😺)(yè )和草(🔦)原局、(📜)中共榆(🍊)林市(shì(🍚) )委宣传(🚢)部、中(🎼)共(gòng )榆(🚻)阳区委(👪)、榆阳(🤰)区人民(🔍)(mín )政府(🔍)、中共(✌)(gòng )榆阳区委宣(xuān )传部联合摄制,影片以榆阳(yáng )区补浪河女(nǚ )子民兵治沙(shā(📬) )连为故(🍮)事原(yuá(🍺)n )型,讲述了(le )治沙连四十(shí(🌂) )多年来(📎)坚持治(🦁)沙(shā )造(♌)林的感(💖)人(rén )事(🚊)迹,治沙(🎚)(shā )连的(🐿)女兵们(men )用自己的青(qīng )春,在毛乌素沙(shā(🗻) )漠中,谱(🈷)写(xiě )了(👣)一曲绿(👀)色(sè )的(🔒)乐章,讴(🤑)(ōu ) 歌了(🍚)治沙连(🤛)(lián )艰苦(📅)奋斗、(🎦)自强不(🔯)息的(de )治(🥗)沙(shā )精(🕣)神,弘扬(🤪)(yáng )了继往开来(lái )、薪火相传(chuán )的革命传统(tǒng )。
牧江村郊野山(shān )藏有一怪,赤(💰)面獠牙(🥊),名曰垃(🏅)圾人(rén ),他身世神(shén )秘,以(🧓)垃圾(jī(🚗) )为食,日(🖲)遇(yù )村(🦕)妇马秀(🌖)娟,将(jiā(🚋)ng )其掳掠(📳)。马(mǎ )秀(🦌)娟通过与(yǔ )垃圾人的交(jiāo )往,发现他(tā(〰) )虽丑(chǒ(💏)u )陋骇人(💠),却(què )心(🎨)地单纯(📯)。但天不(🤙)遂人(ré(🐀)n )愿,“单纯(📇)(chún )”的垃(🐴)圾人(ré(🎞)n )却将马(🐚)秀娟(juā(🔱)n )视为配(💽)偶,囚于(yú )废弃厂房。矿山老板徐(xú )东南徐西北(běi )两兄弟欲借(jiè )炸山除垃圾人之(zhī(🐇) )名在野(🚎)山非(fēi )法拓矿,全(quán )然不顾马秀(⏳)(xiù )娟安(😹)危。而(é(🦅)r )垃圾人(🌤)通过(guò(🍡) )马秀娟(🌶)逐渐(jià(😌)n )了解人(🥑)类的尊重(chóng )与爱,遂将(jiāng )其放归牧江(jiā(🚶)ng )村。马秀(😥)娟(juān )得(🐵)知徐东(🏋)南(nán )阴(💜)谋后为(🏅)救垃圾(😱)(jī )人与(🛌)之抗争(🔰)(zhēng ),最终(🆎)被绑(bǎ(👰)ng )于山上(💙),垃(lā )圾(🐍)人为救马(mǎ )秀娟与徐东(dōng )南死命相搏(bó ),后被徐东南炸(zhà )死。环保组(zǔ )织声明垃圾(⛑)(jī )人出(🤔)现乃牧(mù )江村的环保意识(shí )薄(🖱)弱之恶(📊)果(guǒ ),垃(😣)圾人本(😿)(běn )无罪(😚),罪在(zà(🍦)i )人心对(🏃)环境(jì(🦆)ng )的态度,并(bìng )呼吁民众善(shàn )待环境。
UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.
Au Ve siècle, la ville d’(🐲)Aquilée, près de Rome, est mise à(🕘) sac par le terrible Attila et ses Huns. Odabella, fille du chef de la cité, a échappé(🔍) au massacre de toute sa famille et tient tête au barbare. Impressionné par sa beauté(👀) et son courage, celui-ci lui demande sa main. Mais la jeune femme n’a qu’un dé(🥉)sir : assouvir sa vengeance. Pendant ce temps, son amoureux Foresto parvient avec d'autres survivants de la ville sur la lagune de la future Venise…
Goliat is set in a small industrial town somewhere in Sweden. When Roland is sentenced to prison, his son, 17-year old Kimmie, is expected to provide for the family by taking over his dad's criminal business. This is a task he's not ready for. The film's depicting a boy's brutal entry into adult life and examines aspects of social heritage and patriarchal structures, at a time when the welfare is declining and Sweden is changing.
“没有(👢)(yǒu )名字(🥙)的我,没(🧦)有未来(🤥)的她”